The Poetry of Roses is a book for gardeners, lovers, poets for anyone who has paused to drink in the rose's essence. Its exquisite photographs complement poetry from all places and times: in these pages, ancient Greek poetess Sappho joins whirling dervish Jalaluddin Rumi in speaking of the soul's joy in the rose. Haiku master Basho takes a petal shower beneath mountain roses. Native Americans sing of the colors of roses in love charms, while contemporary Brazilian author Jorge Luis Borges unfolds an invisible rose and reveals its erotic center.
In the mid-eleventh century, secular Byzantine poetry attained a hitherto unseen degree of wit, vividness, and personal involvement, chiefly exemplified in the poetry of Christophoros Mitylenaios, Ioannes Mauropous, and Michael Psellos. This is the first volume to consider this poetic activity as a whole, critically reconsidering modern assumptions about Byzantine poetry, and focusing on Byzantine conceptions of the role of poetry in society.
Eighteenth-Century Poetry and the Rise of the Novel Reconsidered begins with the brute fact that poetry jostled up alongside novels in the bookstalls of eighteenth-century England. Indeed, by exploring unexpected collisions and collusions between poetry and novels, this volume of exciting, new essays offers a reconsideration of the literary and cultural history of the period.
This book explores the anxious and unstable relationship between court poetry and various forms of authority, political and cultural, in England and Scotland at the beginning of the sixteenth century. Through poems by Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the paths by which court poetry and its narrators seek multiple forms of legitimation: from royal and institutional sources, but also in the media of script and print.
What does mathematics have to do with poetry? Seemingly, nothing. Mathematics deals with abstractions while poetry with emotions. And yet, the two share something essential: Beauty. “Euclid alone has looked on beauty bare,” says the title of a poem by Edna St. Vincent Millay. Readership: Those interested in Mathematics, those interested in poetry, and the general public.
