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Get the Picture. Ilustrowane idiomy angielskie

Get the Picture. Ilustrowane idiomy angielskieGet the Picture. Ilustrowane idiomy angielskie

Publikacja pozwala w niekonwencjonalny sposób wzbogacić zasób słownictwa o wiele wyrażeń i zwrotów charakterystycznych dla współczesnej angielszczyzny. Oryginalność książki polega na tym, że każdy z idiomów jest ilustrowany obrazkiem dosłownie wyrażającym jego treść. Dzięki temu łatwiej taki idiom zapamiętać.
Pozycja jest przeznaczona dla każdego, kto chce zgłębić tajniki angielskiej frazeologii, nie nudząc się przy tym ani przez chwilę. Wiek i poziom znajomości języka nie odgrywają tu żadnej roli. Książka może też z powodzeniem służyć nauczycielom języka angielskiego, którym zależy na ożywieniu i urozmaiceniu nauki słownictwa w klasie.
Английский для дошкольников. Полный курс

Английский для дошкольников. Полный курсАнглийский для дошкольников. Полный курс

вгения Карлова - переводчик и преподаватель английского языка с 25-летним стажем, работающая по своим учебникам, одобренным кафедрой повышения квалификации при филфаке СПбГУ, предлагает уникальную интенсивную систему обучения разговорному английскому языку для дошкольников и младших школьников.
Английские времена без правил и зубрежки. В 3-х т. Том 1

Английские времена без правил и зубрежки. В 3-х т. Том 1Английские времена без правил и зубрежки. В 3-х т. Том 1

Данная книга раскрывает суть всех шестнадцати английских времен на уровне их логического осмысления и без применения каких-либо правил в обучении. Английские времена представляются все сразу и одновременно, как единая система английского языка, основанная на мировоззрении его носителей. Это этап ПОНИМАНИЯ времен. Автор предоставляет читателю уникальную возможность увидеть мир глазами англичан, понять и прочувствовать все времена в английском языке и их формообразование, легко и быстро научиться их употреблять, что в дальнейшем поможет осмыслить всю грамматику английского языка без правил в том же мировоззрении.
English for International Tourism Upper-Intermediate: CB

English for International Tourism Upper-Intermediate: CBEnglish for International Tourism is for professionals working in the tourism industry and for students of tourism at upper intermediate level and above.
English for International Tourism:
- focuses on the language and professional skills required to perform effectively in all sectors of the industry
- covers a wide range of topics that develop a broad tourism-related vocabulary
- features authentic texts and interviews with experts in the tourist industry that develop extensive reading and listening skills
- develops speaking skills needed for key job-related situations
- promotes grammatical accuracy with Language Focus sections

Audio added

Britain and Foreign Affairs 1815-1885: Europe and Overseas

Britain and Foreign Affairs 1815-1885: Europe and Overseas

This pamphlet examines British foreign policy from Castlereagh to Disraeli. Focusing on Britain's relations with other European and non-European powers such as America, Afghanistan, South Africa and Egypt, this pamphlet examines the roles of Canning, Palmerston, and Gladstone amongst others.
The Growth of the Medieval Icelandic Sagas (1180-1280)

The Growth of the Medieval Icelandic Sagas (1180-1280)

In this book, Theodore M. Andersson, a leading scholar of the Norse sagas, introduces readers to the development of the Icelandic sagas between 1180 and 1280, a crucial period that witnessed a gradual shift of emphasis from tales of adventure and personal distinction to the analysis of political and historical propositions. Beginning with the first full-length sagas and culminating in the acknowledged masterpiece Njáls saga, Andersson emphasizes a historical perspective, establishing a chronology for seventeen of the most important sagas and showing how they evolve thematically and stylistically over the century under study.
The Classic Short Story, 1870-1925: Theory of a Genre

The Classic Short Story, 1870-1925: Theory of a Genre

The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular-the late nineteenth and early twentieth centuries-even the greatest writers followed strict generic conventions that were far from subtle.